Risentimento Barocco
Marcello Fera: Follephonia (from Corelli)
Claudio Monteverdi / M. Fera: Lamento d’Arianna
Antonio Cesti / M.Fera: Non si parli più d’amore
Guido Caccini / C.Lugo Amarilli
C.Monteverdi / C.Lugo: Cruda Amarilli
C.Monteverdi / M.Fera: Lidia spina
Marcello Fera: Luña cornua
Claudio Lugo: Tre canzoni in genovese barocco
Gaia Mattiuzzi - sopran
Ensemble Conductus
Marcello Fera – conduction
Ensemble Conductus:
Veronika Egger, Martin Schmidt - violin, Ester Carturan - alto
Federica Ragnini - cello, Silvio Gabardi - double bass
Südtirol Festival 2024
Marcello Fera: Follephonia (from A. Corelli)
Pëtr Il'ič Čajkovskij : Souvenir de Florence op. 70
J.S. Bach: Konzert BWV 1056
Arash Safaian: ÜberBac
Wiener Kammerorchester
Morten Friis - vibraphone
Sebastian Knauer - piano and e conducting
Canti dal Silenzio
The level was high in all respects, splendid and homogeneous sound on all four strings, almost impeccable intonation and an extremely polished way of delivering or removing any musical element. [...]Marcello Fera has been able to reach the Fera has managed to reach the primordial place of every musician [...] that enchantment with which the relationship with the music is born and that it is the privilege of a few to preserve - achieved not by fortune but by consciousness, as it came to us explaining
Francesco Denini on SuonoSonda
It was not a concert in the strict sense of the word: Fera invented a way of being on stage that was really little frequented by the instrumentalists and even composers, because by playing he told his story, he told his art and his life as an artist.
Toni Job on Strisciarossa
Marcello Fera: Segno, Andare, Taglio, Memento Gori, Sensa Sciou, Improvvisazione, Cura, Ragionando
Domenico Gabrielli [1650-1690] : Ricercare primo
MS from Kroměříž [1672] : Giga e Variatio
J.S. Bach [1685-1750] : Double [dalla partita Nr. 1 h-Moll BWV 1002]
Marcello Fera: Ninna per Olga, All’intorno, Interludio alla voce di Roberta Dapunt, Mnemo, Aframunda
Marcello Fera - violin, composition, texts